I have stories here from 2 different Best American Mystery & Suspense, but I’m not recommending either volume, since I didn’t read a lot of them. The stories seemed child-cruelty heavy or animal abuse heavy, and I’m not really into either of those things. And there’s some I’m not fond of the kind of noir in either of them. So it’s up to you if you get these two volumes. 

So here’s what I liked back in February…

February 2025

Bernier, Ashley-Ruth M., “Ripen,” The Best American Mystery and Suspense 2023,  edited by Lisa Unger, Mariner Books, 2023. When editors are lazy with the Best Americans and do not put the stories in any kind of reading order, the opening story is a real crapshoot. I’m always braced for something that does not give me any ideas as to the way the volume will go. As a result, I approach the first story with trepidation, and usually that trepidation is justified.

In this volume, though, the first story, “Ripen,” is well written, powerful, and memorable. I was happily surprised by the entire thing. The setting is rich, the characters vivid, and the story itself strong. Read this one.

Cho, Winston, “AI: The Ghost in Hollywood’s Machine,” The Hollywood Reporter, December 13, 2024. (This story online has a different title.) Fascinating piece that could have been written about any emerging technology, really. AI will change how business gets done all over the planet (is changing?), and Hollywood is no different. It will make some things easier to “film” such as massive crowd scenes (already is, in fact) but it might cost a lot of jobs. As in a lot of jobs. And the kind that normally don’t get taken by technological change…as in the jobs of creatives. I think we’ll see a lot of these articles in the future as we try to figure out how to live with this newest thing in our lives.

Cobo, Leila, “Guarding Celia Cruz’s Legacy,” Billboard January 11, 2025. Fascinating interview with Omer Pardillo, who manages the Celia Cruz estate. It’s about how he got the job, how he goes about maintaining the estate, and the heart of the estate. He lists where the revenue comes from. He says it’s mostly from recording royalties and brand partnerships. It’s really fun to see his joy at all of the success the estate’s been having. At one point, he states that it’s not bad for an artist who’s been dead for 21 years.

Cole, Alyssa, “Just a Girl,” The Best American Mystery and Suspense 2024, edited by S.A. Cosby, Mariner Books, 2024. This story, written as a series of online TikTok posts, DMs, texts, emails, and online articles, is devastating and heartbreaking and extremely powerful. Tiana, her first year in college during Covid, starts posting updates on TikTok, and gaining a following. She tries a dating app, encounters a gross guy, and calls his yuckiness out on her TikTok…and then he and his friends start going after her. Everything spirals after that. What’s amazing about this story is that you can see the joy leaching from this young woman as she realizes how terrible the world can be—and how dangerous it is for young beautiful women. Highly recommended.

Freimor, Jacqueline, “Forward,” The Best American Mystery and Suspense 2023,  edited by Lisa Unger, Mariner Books, 2023. Normally, I wouldn’t read a story that looked dense and difficult, but the format (and the footnotes) are the point of the story. It’s an amazing work of fiction, with a great reveal. Yes, it takes concentration to read it, but it’s really worthwhile.

McClintock, Pamela, “Ryan Reynolds Multitasks Like a Mofo,” The Hollywood Reporter,  December 13, 2024. There’s a lot of fascinating quotes in this interview with Ryan Reynolds, whom The Hollywood Reporter dubbed their Producer of the Year. He does a variety of things besides act, and seems to enjoy all of them. The quote I like the most is at the end:

…it’s all an emotional investment. If you can create emotional investment in anything, any brand, it creates a moat around that brand that really, I think, facilitates the resilience and allows it to weather the storms in the bad times. And yes, that’s the part I love.

I think I love it too, although not as much as actual writing and making things up. Still, lots of good stuff to think about in this interview.

Zeitchik, Steven,“The Other Rebuild,” The Hollywood Reporter, January 17, 2025. 2025 has been such a shitshow already it’s hard to remember that the LA Fires happened only a few months ago. We seem to be moving from tragedy to tragedy, heartbreak to heartbreak, every single day, and we lose track of what others have gone through. A number of my friends went through the fires and fortunately, in this round of the climate change blues, very few of them lost their homes. (I can’t say that about previous California fires.) But everyone’s mental health took a nosedive. Many moved to different digs in the same town while others are leaving their LA homes. It’s an ongoing tragedy, and this is a piece from the early days. Important.